You have arrived at the web home of Noah Brier. This is mostly an archive of over a decade of blogging and other writing. You can read more about me or get in touch. If you want more recent writing of mine, most of that is at my BrXnd marketing x AI newsletter and Why Is This Interesting?, a daily email for the intellectually omnivorous.
Black infants in America are now more than twice as likely to die as white infants — 11.3 per 1,000 black babies, compared with 4.9 per 1,000 white babies, according to the most recent government data — a racial disparity that is actually wider than in 1850, 15 years before the end of slavery, when most black women were considered chattel. In one year, that racial gap adds up to more than 4,000 lost black babies. Education and income offer little protection. In fact, a black woman with an advanced degree is more likely to lose her baby than a white woman with less than an eighth-grade education.Skip the time you'd spend reading the rest of my links and go read the whole article. When you're done, go donate to the Birthmark Doulas. Good piece from Felix Salmon on why congestion pricing won't happen anytime soon in NYC (the gist: to do it right you'd have to lower the tolls on the bridges, but that won't happen because the Verrazano raked in $417 million in 2017). Felix also had a nice Slate Money episode on brands. The New Yorker on how Kubrick got the aesthetic of 2001 right:
By rendering a not-too-distant future, Kubrick set himself up for a test: thirty-three years later, his audiences would still be around to grade his predictions. Part of his genius was that he understood how to rig the results. Many elements from his set designs were contributions from major brands—Whirlpool, Macy’s, DuPont, Parker Pens, Nikon—which quickly cashed in on their big-screen exposure. If 2001 the year looked like “2001” the movie, it was partly because the film’s imaginary design trends were made real.Wired on whether two-factor authentication codes are really random. Answer: They are, but we're wired to see patterns in things. Emily Nussbaum is the best TV writer working right now. Here she is on the Roseanne reboot:
The show offers a clever finger trap for critics. Call a hit dangerous and you imply that it’s really quite sexy. And, in fact, the seventh episode, which I won’t spoil, pulls a daring switcheroo, one that may offer a new lens through which to interpret Roseanne’s behavior. It’s not enough. The reboot nods at complexity without delivering—there are good people on many sides, on many sides. If you squint, you might see the show’s true hero as Darlene (Sara Gilbert), a broke single mom forced to move in with that charismatic bully Roseanne. But, if that were so, we might understand Darlene’s politics, too. We’d more fully feel her pain and also that of her two kids, transplanted to a place they find foreign and unwelcoming.This story about a bot Instagram influencer is the weirdest thing I read this week. Two Japanese words I learned this week:
This is where the promise of artificial intelligence breaks down. At its heart is an assumption that historical patterns can reliably predict future norms. But the past—even the very recent past—is full of words and ideas that many of us now find repugnant. No system is deft enough to respond to the rapidly changing varieties of cultural expression in a single language, let alone a hundred. Slang is fleeting yet powerful; irony is hard enough for some people to read. If we rely on A.I. to write our rules of conduct, we risk favoring those rules over our own creativity. What’s more, we hand the policing of our discourse over to the people who set the system in motion in the first place, with all their biases and blind spots embedded in the code. Questions about what sorts of expressions are harmful to ourselves or others are difficult. We should not pretend that they will get easier.Rukmini Callimachi wrote that great Isis piece from a few weeks ago, here she is with a Twitter thread on the latest announcement from the Isis spokesman. I liked this definition of speed versus velocity from Farnam Street: "Speed doesn’t care if you are moving toward your goals or not. Velocity, on the other hand, measures displacement over time. To have velocity, you need to be moving toward your goal." Fact of the week: "More Americans work in museums than work in coal." (The whole article on the real America is worth reading and was written by Rebecca Solnit who also wrote "The Loneliness of Donald Trump," one of my favorite pieces of writing from last year.) Amazon released an Echo update that encourages kids to say "please" to Alexa. If you didn't see Lebron dominate the end of the Cavs/Pacers playoff game on Wednesday night, here's the last two plays: A block and a three. The guy is amazing. [embed]https://www.youtube.com/watch?v=JYmejM38vKs[/embed] On the other end of the sporting spectrum, the Times got a hold of tapes from a meeting between players and owners and I can't imagine it making the NFL look worse. Here's a small example from Buffalo Bills owner Terry Pegula: "For years we’ve watched the National Rifle Association use Charlton Heston as a figurehead ... We need a spokesman." These guys are such bad news. Last, but not least, I had no idea radio buttons were ... radio buttons. [embed]https://twitter.com/themattcoady/status/988819505534009344[/embed] That's it for this week. As usual, let me know what I've missed and thanks for reading. Have a great weekend.