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But what I love most about “Homeland” is the way it acts as an apology for “24.” The show was created by Howard Gordon and Alex Gansa, former writers for that series. (Gordon created the plot arcs for Seasons 3 and 4, and he was the showrunner from 2006 to 2009.) Their previous hit was popular for good reason: it was a well-made fun machine, a sleek right-wing dreamscape with just enough moral ambiguity to elevate it above a Road Runner cartoon. Unfortunately, “24” was also a carrier for some terrible ideas, among them the notion that torture is the best and only way to get information; that Muslim faith and terrorist aims overlap by definition; and, most of all, that invulnerability is the mark of heroism. Kiefer Sutherland’s Jack Bauer was tortured again and again, but he always bounced up, jack-in-the-box style, to waterboard on. Characters surrounding Bauer did occasionally argue with the show’s premises. But most of them were A.C.L.U. types who wouldn’t know a ticking time bomb if it kicked them in the face.