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Underlying the success of The Tipping Point and its literary progeny [Freakonomics] is, I would argue, the advent of a new and enthusiastically social-scientific way of engaging with culture. Call it the age of the the model: our meta-analyses of culture (tipping points, long tails, crossing chasms, ideaviruses) have come to seem more relevant and vital than the content of culture itself.Everyone wanted to be involved in "the hunt," whether it was on Twitter and Google for information about the suspected bomber, on the TV where reporters were literally chasing these guys around, or the police who were battling these two young men on a suburban street. Watching the new tweets pop up I got a sense that the content didn't matter as much as the feeling of being involved, the thrill of the hunt if you will. As Wasik notes, we've entered an age where how things spread through culture is more interesting than the content itself. To be clear, I'm not saying this is a good or a bad thing (I do my best to stay away from that sort of stuff), but it's definitely a real thing and an integral part of how we all experience culture today. When I opened the newspaper this morning it was as much to see how much I knew and how closely I'd followed as it was to learn something new about the chase. After reading the cover story that recounted the previous day's events I turned to Brian Stetler's appropriately titled News Media and Social Media Become Part of a Real-Time Manhunt Drama.